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| Myconids - The Mushroom people. |
I am becoming more convinced that Neil Gaiman is a far stronger short-story writer than he is a novelist, and How the Marquis Got His Coat Back just keeps proving my point. It’s a dark, twisted fantasy packed with intrigue, oddities, and a delightfully eccentric cast. Gaiman’s imagination isn’t just present here, it’s doing somersaults.
The premise is wonderfully strange: the Marquis de Carabas, a mysterious nobleman of questionable morality, awakens from death in a chamber rapidly filling with water. Before he can properly process being alive again, he realizes his beloved (and magically significant) coat has gone missing. First order of business: escape imminent drowning. Second: track down the coat that’s practically an extension of his identity. It’s a fantastic hook, and the opening scene grabs you by the collar and refuses to let go.
What impresses me most is how effortlessly Gaiman conjures a world that feels both fully realized and deeply bizarre without bogging the story down in exposition. He gives you just enough world-building to stay grounded. No small feat given this is a place where humans co-exist with anthropomorphized elephants and mushroom people. His imagination feels boundless, but he never lets it overshadow the momentum of the narrative. The writing is smooth and elegant, propelled by a storyteller who knows exactly when to dazzle and when to get out of the way. It’s playful, brisk, and wonderfully weird from start to finish.
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