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"We defended the city as best we could." |
If you want a prime example of Donald Barthelme's postmodernist and experimental style, look no further than "The Indian Uprising." There is one line in the story that encapsulates the author's artistic philosophy: "Strings of language extend in every direction to bind the world into a rushing, ribald whole." Indeed, the deconstruction of language in fiction, often results in disorientation, ambiguity, and overlapping perspectives, which is what we get here. The subjective "I" is destabilized by the non-linear and fragmented narrative structure, which unfolds in a surreal montage. This is one of those confusing stories that is challenging to comprehend on a first reading because it blatantly rejects the narrative conventions of plot, or character development.
The underlying themes of racism, colonization and genocide are obfuscated by the disintegration of language itself and replaced by the author's self-conscious and metafictional approach. Donald Barthelme embraces parody and contemporizing the Western genre mythology that often ignores the extermination of indigenous people. The social and political commentary is most pronounced through absurdist humor that coincides with the surreal nature of the story. For example, narrator is preoccupied with building a table while the city is being stormed by "Red men in waves." At first glance, the explicit racism might come across as offensive but it actually reinforces the story's criticism of colonization that dehumanizes the oppressed. Much like the battles in this story, the breakdown of communication creates a swirling vortex of entropy, burying the narrative in piles of debris. Nevertheless, the convoluted narrative and chaotic storytelling approach presented a formidable challenge to fully grasp the many layers of meaning. Actually, it might be more accurate to say that this story is completely bonkers and much of the subtext went over my head. Perhaps with subsequent readings, I will gain gain a deeper appreciation for it.
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